On a clear day irish rep movie#

But the songs, at least, are worthy of resurrection: In addition to the well-known title tune, the show includes Daisy’s catchy plea to her plants, “Hurry, It’s Lovely Up Here” the haunting love ballads “Melinda” and “She Wasn’t You” Daisy’s showstopper, “What Did I Have That I Don’t Have?” and Bruckner’s 11-o’clock number, “Come Back to Me.” They’re all beautifully delivered by Errico, Bogardus and the small but big-voiced ensemble, whose energy and enthusiasm compensate for the barely there design and pared-down orchestrations.

It’s a love triangle with two sides and no point, and his manipulation of her is creepy. Soon, the shrink has the hots for Melinda, but Daisy thinks the doctor digs her. While under his spell, she reveals herself to be the reincarnation of Melinda Welles, an alluring, sexually liberated Englishwoman who died tragically in the 1700s. Mark Bruckner (Stephen Bogardus) to hypnotize her out of the habit. If the narrative makes even less sense now, so be it the score is what makes the show bloom.ĭesperate to stop smoking in order to land a job, neurotic Daisy (Melissa Errico) asks Dr. For the show’s latest iteration, Irish Rep artistic director Charlotte Moore has excised entire characters and subplots to deliver less speaking and more singing. A misguided 2011 revival, which marked Jessie Mueller’s Broadway debut, turned the patient into a gay man who had been a female jazz singer in the ’40s.

On a clear day irish rep movie#

The 1970 Barbra Streisand movie jettisoned many of the stage numbers and completely changed its heroine’s backstory. Ever since, writers have been trying to fix its ridiculous story about a pompous psychiatrist who falls for the past-life version of a patient who has psychic powers. Alan Jay Lerner and Burton Lane’s On a Clear Day You Can See Forever debuted on Broadway in 1965 with gorgeous songs and a star-making performance by Barbara Harris-but with a book as unwieldy as its title.